"Intermission" is a raucous story of the interweaving lives and loves of small-town delinquents, shady cops, pretty good girls and very (very) bad boys. With Irish guts and grit, lives collide, preconceptions shatter and romance is tested to the extreme. An ill-timed and poorly executed break-up sets off a chain of events affecting everyone in town. There's the hapless romantic and his sex-starved best friend, the hotshot detective and the crook he's after, a young girl on the rebound with an older married man (not to mention his deserted wife), an ambitious TV producer, abandoned fiancée, preteen trouble-maker -- all unaware of how their choices are profoundly intertwined. Add a botched robbery, some brown sauce, a woman's moustache, flying rocks and dancing single seniors and you have Intermission.

Joel (Carrey) is stunned to discover that his girlfriend Clementine (Winslet) has had her memories of their tumultuous relationship erased. Out of desperation, he contacts the inventor of the process, Dr. Howard Mierzwiak (Wilkinson), to have Clementine removed from his own memory. But as Joel's memories progressively disappear, he begins to rediscover their earlier passion. From deep within the recesses of his brain, Joel attempts to escape the procedure. As Dr. Meirzwiak and his crew (Dunst, Ruffalo, Wood) chase him through the maze of his memories, it's clear that Joel just can't get her out of his head.

Ollie Trinke (Affleck) is young and at the top of his game as a music promoter. He is both a workaholic and a silver-tongued expert at manipulating the press. At a company Christmas party, Ollie meets Gertrude Steiney (Lopez), a book editor for a New York publishing house. They are instantly attracted to each other, and begin a whirlwind romance that changes the course of his personal and professional life.

A top FBI profiler, Special Agent Illeana Scott (Jolie) doesn't rely on traditional crime-solving techniques to unravel the mysteries of a murderous mind. Her intuitive, unconventional approach often makes the crucial difference between catching a killer and sending a dead-end case to the cold file. When Montreal detectives handling a local homicide investigation reluctantly ask for an outsider's help to get inside the head of a cunning serial killer, Agent Scott joins the case. With meticulous insight, she theorizes that the chameleon-like killer is "life-jacking" - assuming the lives and identities of his victims. As the pressure mounts to catch the elusive murderer, Agent Scott's unorthodox methods alienate her from a territorial police team that feels threatened by her uncanny abilities. Her seemingly cold demeanor belies an unparalleled passion for her work, and she's at her best when she's working alone. But when an unexpected attraction sparks a complicated romantic entanglement...

Sarah Polley, Ving Rhames, Jake Webber and Mekhi Phifer head an ensemble cast in a re-envisioning of George Romero's apocalyptic horror classic, "Dawn of the Dead". An unexplained plague has decimated the world's population and yet...the dead aren't dying. They've become zombies, stalking endlessly in a constant quest to feed on the flesh and blood of the few remaining living. A ragtag group of desperate survivors in a Wisconsin town seek refuge in a large indoor mall, where they must learn not only to protect themselves from the ever-increasing zombie horde, but also to co-exist with each other as a last bastion of humanity. Sealed off from the rest of what used to be the world, the group uses every available resource (both within and without) in their against-all-odds fight to remain alive and human.